Book Review: Wafa Darwish’s Memoir, Not Done With Life Yet

I recently discovered Not Done With Life Yet on my bookshelf and I was surprised it had hidden itself away from me for the last year. I received it as a gift from my cousin on my last trip to Palestine. She handed it to me at the end of my trip when I had finished researching my own book based there. At the time, I hadn’t the time to read since all my spare moments were used for writing.

I finally began the book and it was easy to read. I liked the author’s style. She keeps the writing simple but it echoes a vivid snapshot of the decades it spans with interesting insights into a time in history I wasn’t alive. Published in 2014, Not Done With Life Yet is the memoir of Wafa Darwish, a Palestinian woman from Jerusalem. Darwish’s pet tortoise, allegedly born on the same day as she was, becomes an analogy of her own life “trying to protect itself from a cruel world outside, it moves slowly, but in the end manages to survive.” From an early childhood of belonging, to the discovery of her declining visual impairment at age 8, Darwish tells her story of how she managed to finish her education “through Braille and other means” to become a professor and Dean of Birzeit University. Darwish’s memoir gives a unique glimpse into her vulnerability during a time of war, a single mother of two daughters with an insight into the world of revolutionaries who became the new professors of our generation.

As her memoir opens, Darwish situates herself in her daughter’s empty bedroom as she listens to the sound of her dog eating whilst reminiscing about her childhood. Her memories begin in the first house where she was born, “on the street that carried my family’s name until I don’t know when.” Reading this and being aware of the current situation in Jerusalem makes it ever more poignant and hints to me that there is something transient about this state and the history the house contains. Extravagant artifacts – the Hishe ceramic jars that “A hundred decades back or so” were each filled with gold and gifted to the sisters of her family married off to Turkish princes, and the handmade miniature furniture set carved out of “good wood better than much furniture wood used in most houses today” – reflect the history, wealth and historical status of the family that the backdrop of this house provided. The physical description of the house combined with its proximity to Al Aqsa, whose call to prayer can be heard from the house’s yard, creates an opening to the book that throws you back to a Jerusalem that would be unrecognizable to most Palestinians today.

For Darwish, the houses she lived in shaped her experiences. She writes that “Summers in the Darwish old city house were beautiful and active.” She remembers the garden like a slice of “paradise” and the parties her grandmother had with the house full of friends, singing, dancing and cooking. Remembering that “Living in that house then, meant possessing culture and hence identity,” Darwish links identity and belonging to the place she was raised in Jerusalem. The loss of the house signifies the start of a more troubled and tougher life.

As she grows older, Darwish is moved to different houses with her family, and her good grades decline, leaving her subjected to “cruel treatment,” as her teachers, unaware of her visual impairment, struggle to understand why her work has deteriorated. A turning point comes as Darwish is hit by a truck and almost dies, since she “did not see it” when crossing the road. This event brings to light the seriousness of the decline in her vision and thus the decision is made for her to attend a school for the blind, only visiting home at the weekends.

Cover of Not Done With Life Yet.

The world Darwish invokes through her writing is incredibly visual, you almost feel like you can see it, forgetting that the world she sees wouldn’t be the same because of her disability. However, her vulnerability is made incredibly apparent as she is left with a young child during the war in Beirut: “I always imagined us dying trodden over on the staircase by the feet of people…as their lives would be more dear to them than a blind person tumbling down the stairs with a baby.”

Throughout her journey, Darwish travels from to Lebanon, Egypt, Cyprus and back home again, through two failed marriages, the threat of war, the joy and companionship of friends along the way, some of whom end up being her colleagues in her later life. Despite her disability, displacement and marginalization from her community as a single mother of two girls, she manages to finish her PHD and go on to become an academic figure in Palestine having “worked at Al Quds University and at Birzeit University as a Dean, Head of Department and Lecturer.”

At the end of the book, she reminds us that she is back in her daughter’s empty room as she listens to the sound of the dog crunching on dry food. The imagery of that mundane scene makes her survival and growth (including her return to her homeland in her academic position at one of Palestine’s top universities) stand out so intensely

For more information view the book on Goodreads or contact the publishers, Dar Al Shorouk.

By Shereen Malherbe, published via Muslimah Media Watch


Published by Shereen Malherbe

Shereen Malherbe is a writer & author. Her novel, Jasmine Falling has been voted as one of the top 20 Best Books by Muslim women. Her second contemporary fiction novel, The Tower, is now used as academic set text in a US university. Her migrant children's book series, The Girl Who Slept Under The Moon was followed in 2022 with, The Girl Who Stitched the Stars. Her short story, The Cypress Tree has been published in World Literature Today's landmark edition on Palestine Voices. Her latest novel, a Palestinian reimagining of Jane Eyre, The Land Beneath the Light has been nominated alongside her children's book, for the Palestine Book Awards 2022.

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